penfold_x: (home (angel trio))
Over the past six months, on three separate occasions, I've dreamed of an alternate universe in which Angel ended differently.

Not a universe in which the show was real but rather, a universe in which Wheadon/rightsholders made an Angel film for theatrical release (similar to Serenity) after the end of the series. In the first dream, I had to move heaven and earth to get out of work on time to see the first showing, which was ridiculously crowded (apparently, the film was a hit). Because it's my subconscious, Wesley was pretty instantly resurrected, and the fang gang went on to battle evil in an appropriately cinematic fashion.

In the second dream, there was a follow-on made-for-tv movie in which a few of the regular cast members were replaced by other actors. In both cases, I can't remember anything of the plot; my angst in the first dream was more about trying to find a theatre that had room for me. The third dream--last night--was all about my overwhelming need to understand why Alexis Denisof wasn't included made-for-tv movie. Was it scheduling? Illness? I needed to know. My dream-self haunted Google and pelted [livejournal.com profile] gimmelgirl with questions.

I have zero idea why my brain keeps returning to Angel. I haven't thought about the series in a while, and it's been more than five years since I pursued fanworks or re-watched episodes. Generally, I think of dreams as the tumblr of recent thoughts; prior to sleeping last night, my brain was focused on 1) linguistics and the transition from Middle English to Modern English; 2) Divergence!Claudius and Eibhlin, and 3) Netflix's terrible collection of apocalypse movies. Where does this weird alternate universe come from? Why does it keep returning?

penfold_x: (used to be a highly respected watcher)
Took a break from rewatching S3 of Angel because I'm not sure I want to revisit Wesley's slow, two and a half year descent into self-hatred, addiction, and suicide for no particular reason, and rewatched Buffy S7. I enjoyed this season a great deal when it first aired (though, coming off of S6, almost anything would seem brilliant and uplifting), and I think it holds up well.

Season seven still suffers from too much emphasis on potentials that seem to come and go with scarcely enough time or reason to learn their names (same deal with Dawn's high school friends), while the characters we've invested in are given less screen time and development. However, the main trio are on their way to completing a cycle of growth--learning from mistakes, finding their place in the world, taking their destiny into their own hands--and the season leaves them better than where they started, on a trajectory to a more fulfilling life. I'm especially pleased that Xander was given a stable, supportive role for Buffy, that highlighted his new maturity. His steadiness, despite his injury, is a wonderful summing up of the support he's given to Buffy through the past seven years ("And if you die, I'll just bring you back. It's what I do."). There are a number of well thought out call backs to the previous seasons, with Buffy returning to the high school (bringing perspective and experience), old villains and dead friends (well, at least, their shells) coming back to exploit the our characters' psychic wounds, and the return of key supporting characters--Faith, Giles, and Angel--to resolve outstanding plot threads.

While 'The Gift' was a more artistically satisfying end to the series, 'Chosen' is a solid second best. 'The Gift' was more emotionally powerful, but 'Chosen''s resolution is a great capstone on Whedon's theme of female empowerment (even if it isn't quite logical, plot-wise, depends on the seeming last minute insertion of the scythe, and what's all this babble about choosing when Buffy has Willow non-consensually insert the demon-tinged slayer power into all those girls? Um, 'splainy, please). That last turning shot of Buffy, Willow, Xander, and Giles in the school hallway, in which Giles echoes his comment from the conclusion of 'The Harvest', perfectly captures the mood of the series and is a lovely shout-out to its long-time fans.

[Poll #1495492]

I've been reading a lot of Buffy fic recently, and happened to read a few post-'Chosen' stories worth your time:

Now Leaving Sunnydale and Now Entering Elsewhere by Annakovsky are wonderfully friendship-focused tags for 'Chosen' that deal with the immediate emotional aftermath.

And Away We Go by Thistlerose is a brief, comics-compliant trip through Giles' head as the group prepares to set out on their individual missions. Good characterization.

Seeing Africa by Huzzlewhat and The American Stranger by NWHepcat are thoughtful accounts of Xander's journeys in Africa.
penfold_x: (nerd wesley)
I've been re-watching Angel, and just got to "That Vision-Thing", which I initially had thought was rather nifty because 1) enormous H/C, and 2) it sets up a later episode, with a nice example of how actions should have consequences. But, upon reflection... is it just me, or does Angel's total capitulation to Lilah's evil plan seem a bit first resort-y? Lorne diagnoses Cordy as receiving non-PTB visions, says 'take a look at who hates you, Brood Boy,' Angel drops in on Lilah, and instead of say, making a win-win bargain with Gavin to find out how Lilah is hurting Cordelia (which Gavin would have jumped at in a heartbeat) or asking Lorne and Wesley to figure out how to block non-PTB transmissions (because, hey, look at the ongoing danger to Cordelia we don't resolve by killing one psychic!), Angel's all 'Okay, whatever, I'll do your evil bidding, and release untold evil on the world. We have to get to the demon in the plastic suit named for the producer somehow!'

And, good grief, is that Kal Penn in the fez? Yes, yes it is. I bet he's not showing that clip around the White House.

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