penfold_x: (tivo)
Must-Squee TV
NCIS (September 23, CBS, Tue@8)
Person of Interest (September 23, CBS, Tue@10)
Sleepy Hollow (September 22, FOX, Mon@9)

Also Recording
Agents of SHIELD (September 23, Tues@10)
Reign (October 2, CW, Thurs@9)
Sons of Anarchy (September 9, FX, Tue@10)
Supernatural (October 7, CW, Tues@9)
The Walking Dead (October 12, AMC, Sun@9)
The 100 (October 22, CW, Thurs@9)

Auditioning
Ascension (November 24, SciFi, Mon@9)
Constantine (October 24, NBC, Fri@10)
Gotham (September 22, FOX, Mon@8)
Scorpion (September 22, CBS, Mon@9)
Z Nation (September 12, SciFi, Fri@10)

On the Bubble
Bones (September 25, FOX, Thurs@8)
Elementary (October 30, CBS, Thurs@10)
NCIS:LA (September 29, CBS, Mon@10)


Over the summer, both of my DVRs went to silicon heaven. It was a bit sad (Old Reliable, my first DVR, had been with me since I bought him refurbished in 2002), but also somewhat liberating. For some time now, I've been recording more television than I really want to watch. My new hobbies leave me with less time, and some shows I used to enjoy just aren't as good as they used to be. I end up with stacks of unwatched episodes on my DVR that make me feel a little guilty each time I pass them over. It's hard to cut ties with old favorites, especially, because I still care about the characters, even if the writers have muddled them almost beyond recognition. Having to program in season passes for each series I watch has helped me cut the cord with some old favorites I just don't enjoy as much any more (Castle, Hawaii 5-0) and some programs that were OK for what they were, but not good enough to justify putting the time into (Big Bang Theory, Blue Bloods). I'm close to dropping Bones, NCIS:LA, and Elementary for the same reasons.

Apart from the return of my must-squees and the final resolution of Sons, I'm not terribly excited over the new season. I'm trying Constantine, Z Nation, and Gotham simply because I feel like I owe genre shows a chance. Scorpion's on my list because, as you've undoubtedly noticed, I'm hella weak for CBS procedurals. Ascension , however, has a fascinating idea at the core -- and Tricia Helfer. Of course, these things are all in the execution, but I think we've got legitimate reason to hope for more than Mad Men in space.
penfold_x: (tivo)
Fire up the DVR, baby! There's so much new genre programming coming this year, I can't wait to dive in.

Must-Squee TV
NCIS (September 24, CBS, Tue@8)
Person of Interest (September 24, CBS, Tue@10)
Supernatural (October 8, CW, Tues@9)

Also Recording
Big Bang Theory (September 26, CBS, Thur@8)
Blue Bloods (September 27, CBS, Fri@10)
Bones (September 16, FOX, Mon@8, moving to Fri@8 on 11/8)
Castle (September 23, ABC, Mon@10)
Hawaii 5-0 (September 27, CBS, Fri@9)
NCIS:LA (September 24, CBS, Tue@9)
Sons of Anarchy (September 10, FX, Tue@10)
The Walking Dead (October 13, AMC, Sun@9)

Auditioning
Agents of SHIELD (September 24, Tues@8)
Almost Human (November 4, FOX, Mon@8)
Dracula (October 25, NBC, Fri@10)
Hostages (September 23, CBS, Mon@10)
Reign (October 17, CW, Thurs@9)
Sleepy Hollow (September 16, FOX, Mon@9)
The Tomorrow People (October 9, CW, Wed@9)

On the Bubble
Elementary (September 26, CBS, Thurs@10)
Revolution (September 25, NBC, Wed@8)

Contra last year, I'm excited for the new fall season. A record seven new fall shows are on my radar, with an interest level between 'looks promising' and 'shivering with anticipation". Like, I suspect, most fangirls, I'm most excited about Agents of SHIELD. I'd be deeply skeptical about a movie spin-off, except for the involvement of Joss Whedon and Jeffrey Bell; Marvel is apparently taking pains to ensure the timeline meshes with the unfolding Cinematic Universe, something they seem to take very seriously. Close seconds on my list are The Tomorrow People and Almost Human. I enjoyed the original 70s Tomorrow People series, which lifted itself above superhero tropes by giving its evolutionarily enhanced teens a serious limitation: they could never use their power for violence. The CW seems like the right home for a Tomorrow People reboot, but if the kids aren't bound by the same moral code, I suspect the series will be flashy but ultimately unfulfilling. And Almost Human? There's nothing I don't like about buddy cop shows. Set one in the future starring Karl Urban in a quasi-Alien Nation scenario? I am so there.

Sleepy Hollow and Dracula look to have the potential for campy fun. In Sleepy Hollow, the headless horseman is back to terrorize upstate New York, and only the mysteriously appearing Ichobad Crane can hunt him down (already bought my popcorn). Dracula is a 10-episode limited series starring Jonathan Rhys-Myers as the dark prince himself, set to wreak havoc in Victorian London (already bought extra butter for the popcorn). Hostages is another limited series, though this one is a straight drama; looks like it has the potential to be tight and gripping. Reign... looks like The Tudors without the intellect. Dude, don't judge me.

And that's not all; there are several additional promising genre shows that are coming in the mid-season, including J.J. Abrams' Believe, Intelligence (Chuck, as a drama), The 100 (CW's attempt to capitalize on the YA dystopian novel trend) and Star-Crossed (Twilight, Roswell and Alien Nation, pureed together).

And of course, there's great stuff coming to us from the UK: Sherlock S3 wrapped filming Sunday and will probably air this fall or winter, Whitechapel's S4 is beginning its UK airing this week (no word yet on whether BBCA will pick it up again or when), Luther S3 is being presented mini-series style this week on BBCA, Silk S1 and S2 are currently airing on Masterpiece Mystery!, and Endeavour S1 just finished on the same.

It's such a relief, after the lackluster 2012-13 season and long, vacant summer. Revolution could not have been more disappointing. The premise is fantastic, and many of the secondary actors did great work, but it's almost impossible to overcome the terrible casting of the lead; the story centers around her journey, yet I constantly wished she were off-screen, and the story could spend more time with the adults. And it certainly didn't help that Katniss Charlie rarely demonstrated any skill with a bow or other martial skills. Basically, Revolution failed to address the problems that were evident early in the season and compounded their problems with some meandering and weak episodes in the middle of the run.

The other new show I stuck with last year,Elementary, also failed to move beyond my early assessment; the 'mysteries' are deeply implausible and there's nothing in the writing or visual style of the show to distinguish it from CBS's myriad other crime dramas. But most of all, I just don't buy Elementary's characterization of Holmes. The show could be enjoyable if the writers picked up their game, but with a lot of competition this year, it's going to be easy to start deleting Elementary unwatched.
penfold_x: (tivo)
The leaves are turning, the temps are dropping, and across America, DVRs are warming up for the new television season!

Must-Squee TV
NCIS (September 25, CBS, Tue@8)
Supernatural (October 3, CW, Wed@9)

Also Recording
Big Bang Theory (September 27, CBS, Thur@8)
Blue Bloods (September 24, CBS, Fri@10)
Bones (September 17, FOX, Mon@8)
Castle (September 24, ABC, Mon@10)
Hawaii 5-0 (September 24, CBS, Mon@10)
NCIS:LA (September 25, CBS, Tue@9)
Person of Interest (September 27, CBS, Thur@9)
Sons of Anarchy (September 11, FX, Tue@10)
The Walking Dead (October 14, AMC, Sun@9)

Auditioning
666 Park Avenue (September 30, ABC, Sun@10)
Arrow (October 10, CW, Wed@8)
Elementary (September 27, CBS, Thurs@10)
Made in Jersey (September 28, CBS, Fri@9)
Revolution (September 17, NBC, Mon@10)

On the Bubble
How I Met Your Mother (September 24, CBS, Mon@8)

The 2012-13 season looks thin and disappointing. Revolution is the only new show I'm excited about; the post-apocalyptic setting is a personal favorite and I think the Abrams/Kripke team could be outstanding. I'll certainly give Elementary a try, but the buzz I've heard (standard procedural you wouldn't recognize as Holmesanian if the characters weren't called Holmes and Watson) isn't promising. I'm giving Arrow and 666 Park Avenue a try only because they're genre shows; in a season with other sci-fi/fantasy choices, I probably wouldn't. I'll be pleasantly surprised if I make it past the pilot.

I'm not even trying the re-boot Beauty and the Beast; if the lack of the society Below wasn't enough to put me off, casting Kristen Kruek is about as off-putting a move as CW could have made. The rest of the new shows seem to be aligned along two themes: 1) the suburbs are evil; and 2) incompetent doctors are endlessly fascinating. Neither of these are particularly new or appealing. The networks seem to be in a creative rut that's only going to accelerate the rush to cable programming and new media.

Sadly, I'm not terribly excited about most of my returning shows, either, with the exception of Supernatural and NCIS. Supernatural has really made a comeback over the past season, shifting away from the Heaven/Hell arc to focus more squarely on the brothers, allowing them a more stable and equal relationship. Jeremy Carver has written several of my favorite eps, so I think he could be a great showrunner. NCIS continues to be my go-to procedural with heart; writers who stay in their wheelhouse and never lose sight of the character relationships, great cast, dead terrorists. What's not to love? In addition, [livejournal.com profile] myfieldnotes and [livejournal.com profile] mrwubbles held me hostage in hotel room until I broke realized just how awesome Hawaii 5-0 is. Cracky and unrealistic, but damn they're serving the bromance! Not appointment television, but at least I have something fresh to enjoy.

Unfortunately, some of my previously squee-worthy shows aren't engaging me as they used to. I moved Bones down to 'still recording' because, while I still dig the extended family at the Jeffersonian, I'm not enjoying Booth and Bones as a couple. I'm not a huge fan of romance to begin with, and the way they were so quickly paired off and only really brought together over the accidental child unlikely and unnecessarily rushed. Unsurprisingly, as the Castle romance grows ever more explicit and whiny angsty, I'm enjoying the show less. Both are still solid viewing, but not as compelling.

On the other hand, summer programming was unexpectedly good! I really enjoyed Katee Sackoff's new series, Longmire. The central character could have been a tired archtype (widowed cop), but the writers and actor really worked to provide a fresh take; Longmire's grief felt raw and realistic. Setting the drama near an Indian reservation allowed for fleshed out, more nuanced than usual presentation of that community (and Lou Diamond Philips, who is 50 and still inexplicably hot). I also love the character interactions, and my big flatscreen loves the all the panoramic views of the New Mexico countryside. Falling Skies was back and continued to be awesome; fun sci-fi with great family drama. I also got hooked on George R.R. Martin's epic Game of Thrones. I watched the first season on DVD, and was so fascinated with the story I actually subscribed to HBO for the second.
penfold_x: (smiley mycroft)
Back from MediaWest, where a good time (and many a pancake) was had by all!

Everything's Better When You Start With Tea )

Sherlock Pwns the Con )

Door Decorations )

Extreme Weather: More Fun to Write About than to Live Through )

Overall, attendance seemed down. Though some of that might be due to the weather, with the Internet provides a lot of the content and interaction that used to be provided by cons, it seems likely that trend will continue. However, as much as I enjoy my fannish hobbies, for me, MW*C is more about the friendships I have made over the past decade, and I expect I'll keep going as long as we're having fun.
penfold_x: (tivo)
My lonley TiVo is once again flush with companions as the new television season begins at last! This summer was not as bad as last; [livejournal.com profile] brate7 and [livejournal.com profile] myfieldnotes spent all of MediaWest convincing me to try Leverage, while [livejournal.com profile] mrwubbles was the unofficial sponsor ofWhite Collar. I spent the summer with back eps of both, and enjoyed them, though Leverage was not anything like as good as its first season, unfortunately.I also had a great time with So You Think You Can Dance; I was entirely on Team Kent, but it was a great field in general (apart from the plague of injuries).

Sadly, apart from returning favorites, I don’t expect much from the new season:

Must-Squee TV
Bones (September 23, FOX, Thur@8)
NCIS (September 21, CBS, Tue@8)
Supernatural (September 24, CW, Fri@9)

Also Recording
Big Bang Theory (September 23, CBS, Thur@8)
Castle (September 20, ABC, Mon@10)
House (September 20, FOX, Mon@8)
Sanctuary (September 28, SYFY, Tue@10)
Sons of Anarchy (September 7, FX, Tue@10)

Auditioning
Blue Bloods (September 24, CBS, Fri@10)
No Ordinary Family (September 28, ABC, Tue@8)
Raising Hope (September 21, FOX, Tue@9)
The Event (September 20, NBC, Mon@8)

On the Bubble
How I Met Your Mother (September 20, CBS, Mon@8)

Not much genre programming on my currently recording list, again this year. The Event is yet another attempt to replicate Lost; the creators promise they have learned the lessons of Flash Forward and related attempts, but I have my doubts. With Ashes to Ashes concluded, and no new Doctor Who until Christmas, however, I’ve got time to give it a chance. My other selections are based largely on the actors involved, which is, admittedly, flaky, but given the humdrum, retread nature of this year’s offerings (cop shows, lawyer shows, cop-and-lawyer shows, remakes), it seemed as good a criteria as any.

I’ve put Mother on bubble status because of the relentless sex jokes and tastelessness; c’mon, writers, there’s really more to life. Why Vampire Diaries was renewed I’ll never know, but I’ve thrown in the towel. I also finally broke up with CSI, the boredom to interest ratio was just too high.
penfold_x: (tivo)
With the CW releasing its schedule, the 2010 fall grid is complete.

Looks a mite skimpy. Apart from a few favorite returning shows (Supernatural, Bones, NCIS, Castle), I don't see much of interest. The Event, maybe? Could be great, could be a cheesefest.

And, um... and the rest looks like a vast sea of crime procedurals and legal dramas. Hawaii 5-0? Law & Order: Los Angeles? So, we're completely out of ideas, Hollywood?
penfold_x: (amen!)
SHOW IS BACK! SHOW IS BACK! *flail arms*
penfold_x: (tivo)
The new fall television season can't start soon enough for me! This summer was especially dry, with Mad Men and Sons of Anarchy moving to the autumn. This summer was Merlin (am I the only one who thinks Uther is just doing what needs to be done?), So You Think You Can Dance, Ice Road Truckers, and lots and lots of reading.

Sadly, this fall is also on the lean side. Some shows I enjoy, like Lost, aren't coming back until January, two of my favorites (Doctor Who and Torchwood) not having full seasons, while the networks are producing fewer new shows, of questionable quality (Cougar Town? WTF, ABC?!).

Must-Squee TV
Bones (September 17, FOX, Thur@8)
Supernatural (September 9, CW, Thur@9)

Also Recording
Big Bang Theory (September 21, CBS, Mon@9:30)
Castle (September 21, ABC, Mon@10)
House (September 21, FOX, Mon@8)
Mad Men (August 16, AMC, Sun@10)
NCIS (September 22, CBS, Tue@8)
Sanctuary (October 9, SYFY, Fri@10)
So You Think You Can Dance (September 9, FOX, Tue@8, Wed@8)
Sons of Anarchy (September 8, FX, Tue@10)

Auditioning
Flash Forward (September 24, ABC, Thur@8)
NCIS: LA (September 22, CBS, Tue@9)
Stargate: Universe (October 2, SYFI, Fri@9)
V (November 3, ABC, Tue@8)
Vampire Diaries (September 8, CW, Thur@8)

On the Bubble
How I Met Your Mother (September 21, CBS, Mon@8)

Not much genre programming on my currently recording list (*sniff* I miss you, Atlantis and Battlestar), so I'm really hoping SGU, V, and Flash Forward deliver. Given SGU's sides, it's probably a foolish hope, but V and Flash Forward appear to have real potential. Recording Vampire Diaries is more about morbid curiosity.

Thanks to some hard sell during our most recent FriendCon, [livejournal.com profile] myfieldnotes and [livejournal.com profile] mrwubbles have gotten me into Castle. The premise is ridiculous, but Nathan Fillion is a charisma machine, the leads have good dialogue, and the family interaction is excellent.

House has moved up from bubble status; the dynamic with the new interns made the show much more watchable last year, and the closing arc gave me hope that they might actually start developing House's character. Fringe, Heroes and Dollhouse are entirely out. Fringe's characters are wholly unlikeable, Heroes has completely lost the plot (I think I watched about five minutes of last year), and Dollhouse suffers from a fatal flaw: no matter how cool the special effects are or how awesome Echo is, I can't bring myself to care about characters that have no memory of themselves week-to-week, because it utterly precludes character development. Wake me up if Echo has a breakthrough.
penfold_x: (puppy doesn't understand)
I am a little stunned at the lack of Supernatural panels at MediaWest*Con 29. The show’s ratings are up, and there are a number of fanzines publishing this year.

FRIDAY
1-2pm, University 3: Supernatural: Season 4 discussion.
[Check out the video premiers at 8pm; there were quite a few good SPN entries last year]

SATURDAY
4-5pm, University 1: Supernatural: How are the many ways this series can end? Let's explore the possibilities.

SUNDAY
10-11am, University 2: Supernatural: A look at the current state of the brothers' relationship
3-4pm, Ballroom D: Supernatural hurt/comfort fic recs: share your favorites.

Premiering fanzine information available here.
penfold_x: (hates life more than ever)
A wicked thunderstorm started just about half-way through the Supernatural finale cut for spoilers... or at least, what I've seen )

Thanks for wasting my time, Kripke.
penfold_x: (spnloveoverwhelms)
Blood Brothers 3: From long-time publisher Gold'n Lily Press. 328 pages, comb binding. Available in the dealers' room for $25. Stories by Amy Blair, Brate, PA Davis, Gaelicspirit, Geminigrl11, Jeanne Gold, Beth Honeycutt, IMTheresa, JJJunky, KAM, Kamelion, K Hanna Korossy, Nebula, Phx, JD Sampson, Scullspeare, Swellison, Geoffry Woods, and Yum@. Contact teajunkie[at]comcast[dot]net to discuss mail orders. NB: Blood Brothers has consistently excellent quality; my favorite zine (after Brotherhood, of course).

The Brotherhood 8: 440 pages (with slim margins), perfect-bound with wraparound full color cover art. Available by roomsale for $35; also available by mail order. Stories by Dodger Winslow, Gekizetsu, Sodakey, Kimonkey7, Scullspeare, Geminigrl11, Gaelicspirit, K Hanna Korossy, Geoffry Woods, Maygin, Gert, and Jeanne R Gold.

Hunting Trips 4: From Neon Rainbow Press. Unknown size and cost, but last year’s volume was slim. Should be at the NRP table in the dealers' room. See their website for updates.

Long Shot: By drumgoddess, published by Griffinsong Press. No pricing or page count information available yet. Available at the Ashton Press table in the dealers’ room.

Route 666 2: From Ashton Press. 177 pages (approximate), comb binding, color covers and color inserts, artwork by Montana, Wilma, and Leah Rosenthal. Available in the dealers’ room for $30. Stories by Yum@, Geminigrl11, Brate, K Hanna Korossy, Clarity159, and Dawn N.

Also available at MediaWest, though it premiered earlier this year at Revelcon, is Rooftop Confessions 4 from Griffinsong Press, $25 at Ashton Press’s table in the dealers’ room. 206 pages, with 13 stories by Judy Dugas, K Hanna Korossy, Mary, Swellison, Gaelicspirit, JJJunky, Brate, EveSong, candygramme, and J.M. Griffin. Contact aeriejm[at]earthlink[dot]net with questions.
penfold_x: (don't make me summon my fangirl army)
DAY-um. This handmade Impala messenger bag is one of the finest fan crafts I've ever seen. Check it. Well done, [livejournal.com profile] a_starfish.
penfold_x: (spnloveoverwhelms)
My good friend Yum@ of Pyramids Press is announcing a new Supernatural print zine, The Brotherhood 8, to premier in three weeks at MediaWest*Con 29 and is available for mail order now at the website.

Like issues 2, 4, and 6, The Brotherhood 8 is an all-Supernatural gen zine with a strong emphasis on the brothers’ bond of family and friendship. Yum@ kept saying she was going to keep the page count reasonable this year, but so many awesome authors agreed to participate, it was impossible: The Brotherhood 8 is 440 pages!

Like previous editions, The Brotherhood 8 is professionally printed, perfect-bound, 6" x 9", with beautiful full-color, wrap-around cover art by Cathy. Though Pyramids Press works to get the look of zine as close as possible to something you'd buy at a bookstore, it is a nonprofit, labor of love produced by fans, for fans. Like all Pyramids Press zines, the stories are new (have not been previously published or appeared on the ‘net), gen (no slash), and there are no deathfics. Ratings are G-R.




The Brotherhood 8
Counting Coup by Scullspeare
Dutch by kimonkey7 ([livejournal.com profile] kimonkey7)
When You Were Young by geminigrl11 ([livejournal.com profile] geminigrl11)
Wayward Ones by Gaelicspirit
The First Wendigo by Sodakey
Best Served Cold by Geoffry Woods
Between The Lines by gekizetsu ([livejournal.com profile] gekizetsu)
The Bird-dog Key by Maygin
Day Job by K Hanna Korossy
No Pain, No Gain by Gert
Nchaa Bu by Jeanne R Gold
The Family Business by Dodger Winslow ([livejournal.com profile] dodger_winslow)
Story excerpts available here
Longer excerpt of “The Family Business”


The Brotherhood 8 may be pre-ordered for convention pick-up here; see convention flyers for roomsale location. Please place convention pre-orders by May 9.

If you’re not attending MediaWest, you may order a copy of this zines to be delivered to you via USPS at the Pyramids Press order page. The base cost is $35 per zine (I know, but the zine is so huge, it’s like getting two digest zines in one). US shipping is $4.95 per zine (priority mail). Shipping to Canada or Mexico is $10.95 per zine. Shipping to Europe/Australia is $12.95 per zine. All amounts are in US dollars.

Pyramids Press is also premiering a multimedia edition of the zine, The Brotherhood 7, which is almost 400 pages and includes 17 stories from our favorite fandoms, including 3 Supernatural stories, plus Atlantis, Torchwood, SG-1, Doctor Who, and more!

If you have any questions, you may write to Yum@ at pyramidspress [at] aol [dot] com. If you have any trouble, please comment or message.
penfold_x: (bookgeek (seven))
My good friend Yum@ of Pyramids Press is announcing a new gen multimedia print zine, The Brotherhood 7, to premier in three weeks at MediaWest*Con 29, and available for mail order now at the website.

The Brotherhood 7 is an enormous gen anthology zine packed with new stories in our favorite fandoms: Supernatural (3), Stargate Atlantis (4), Torchwood (2), Doctor Who (1), Stargate SG-1 (2), Numb3rs (2), NCIS (1), The Sentinel (1), and Real Ghostbusters (1). The stories focus on the friendships and strong bonds between our favorite characters, from an incredibly talented group of writers.

The Brotherhood 7 is 392 pages, professionally printed, perfect-bound, 6" x 9", with beautiful full-color, wrap-around cover art by Cathy. Though Pyramids Press works to get the look of zine as close as possible to something you'd buy at a bookstore, it is a nonprofit, labor of love produced by fans, for fans. Like all Pyramids Press zines, the stories are new (have not been previously published or appeared on the ‘net), gen (no slash), and there are no deathfics. Ratings are G-R.


The Brotherhood 7
Judgment (RGB) by Sheila Paulson
Going Dutch (SGA) by Liketheriver ([livejournal.com profile] liketheriverrun)
Down in a Hole (SPN) by SBG
Of Rockillites and Hard Places (SGA) by Gaffer42
First Time For Everything (Num) by Zubeneschamali
Bait (SGA) by Lorr54
Emancipation (DW) by Wendymr ([livejournal.com profile] wendymr)
Auld Lang Syne (SG-1) by Kiva
Half Empty, Half Full (NCIS) by Yum@ ([livejournal.com profile] mrwubbles)
Barry White Never Sang About This (SPN) by K Hanna Korossy
Hot Potato (SGA) by Auburn
The Hard Part Of Diplomacy (SG-1) by Annie
Winding Back (TW) by Yum@ ([livejournal.com profile] mrwubbles)
Language of Brothers (SPN) by Nebula ([livejournal.com profile] authoressnebula)
Random Events (Num) by K Hanna Korossy
Defender of the Faith (TW) by Sam Starbuck ([livejournal.com profile] sam_storyteller)
Story excerpts available here
Longer excerpt of "Going Dutch"



The Brotherhood 7 may be pre-ordered for convention pick-up here. Convention pre-orders needed by May 9; see convention flyers for roomsale location.

If you’re not attending MediaWest, you may order a copy of this zine to be delivered to you via USPS at the Pyramids Press order page. The base cost is $30 per zine. US shipping is $4.95 per zine. Shipping to Canada or Mexico is $10.95 per zine. Shipping to Europe/Australia/the Pegasus galaxy is $12.95 per zine.

If you have any questions, you may write to Yum@ at pyramidspress [at] aol [dot] com. If you have any trouble, please comment or message.
penfold_x: (reading (five))
My friend [livejournal.com profile] b7kerravon made the mistake of asking "If I was marooned on a desert island, what ten fanfics would I want with me?" Of course, being the geeks we are, if we knew we were going to be marooned on a desert isle, we'd have a laptop and a external drive packed with fic with handy solar power converters. Even if I'm only flying to Cleveland, I make sure to have more than ten fics with me because the last thing I want is to be trapped on a mystical, time-traveling island with nothing but Watership Down to read.

But just contemplating being limited to ten stories, even favorites, is enough to bring on fangirl angst. Some of my favorite fandoms, such as Supernatural and Stargate SG-1 are so rich in well-plotted, beautifully written gen H/C stories it is difficult for me to compose even a 'favorite ten authors' list without leaving out a lot of extremely worthy stories. Yet, if I did have to choose, I think I would want: longer stories, to prolong the joy; stories across the fandoms I enjoy, to give me a multitude of mental starting off places (isn't the epilogue or missing scene you write in your head a part of what you love about a favorite story?); and stories that epitomize my favorite aspects of the characters' relationship. With those characteristics in mind, I have selected a favorite from each of my fandoms:

I. Buffy the Vampire Slayer: Observare by Jeanne DeVore
BTVS fandom was dominated by ship and slash parings, but there were some gems of friendship-focused stories among them. Observare, originally published as a print zine lovingly illustrated by Linda Fairbanks, is a wonderful example of the Buffy/Giles mentoring genre. Giles receives word that the father from whom he is somewhat estranged is dying, and asks Buffy to accompany him to England. It's the perfect set-up for Buffy to learn more about who her Watcher is, to explore the Watcher/Slayer relationship, and for Giles to open up to his charge.

I lost most of my BTVS fics in a harddrive crash a few years ago, and many of the sites that I used to enjoy have decayed or disappeared, but a few stories are still available. I really enjoyed Gail Christison's episode tags; fortunately her Once More With Feeling site is still up and running. I also adore, adore, adore ELG's Wesley de-aging story, Childish Things, which is everything I've ever loved about that genre of fic.

II. Doctor Who: Susurration by Patrice
I'm new to OldSchool!Who fic, so I count myself fortunate to have found Patrice, who has written eleven full-length novels, most set in the Fifth Doctor era. Truly, I recommend all of her novels; her work is consistently excellent and she has a wonderful command of Five's companions, who can be irritating (Adric/Tegan), boring (Nyssa) or unsympathetic (Turlough) in the wrong hands. Her plots generally feature some element of H/C, and her Five is a gentle if imperfect mentor as well as loyal and caring friend. In Susurration, Five brings Tegan and Turlough to a planet with a location renowned for its healing powers, in an attempt to comfort his companions after Nyssa's decision to stay behind at the end of Terminus. Unfortunately, they stumble into a bloody civil war that threatens Turlough's life and Tegan's sanity.

Unfortunately, I haven't found very many longer gen OldSchool!Who stories, but another I would strongly recommend is Lost Luggage and Lost Souls by Nemo the Everbeing. Seven and Ace are an odd pair, especially if all you've seen is the outside; it's not immediately obvious why a slightly bumbly-looking middle-aged Scotsman might be traveling with a streetwise teenage English girl. Lost Luggage and Lost Souls is a beautifully rendered outsider perspective on Seven and Ace's relationship, chock full of my favorite things: witty banter, mortal peril, compelling original characters, and happy endings.

III. Harry Potter: Resonance by Greengecko
Snape/Harry mentorship stories are my drug of choice in Harry Potter. My favorite of these is Resonance by Greengecko, in which the author builds a believable set of circumstances in which Snape and Harry would begin to overcome their enmity and eventually heal each others' figurative (and literal) scars. Resonance has many classic H/C moments, wherein the author provides fully satisfying peril and recovery while maintaining the characters' distinct, often difficult personalities. She's also adept at world-building, going beyond Rowling's original setting to provide us with a fascinating set of spells and magical laws, the exploration of which bring us insight into the characters.

Of course, if I could sneak them onto the island, I'd have the other classics of this genre, A Year Like None Other by Aspen in the Sunlight and Blood Magic by GatewayGirl*.

IV. Lord of the Rings: Fate and the High King's Falcon, by Baylor
Set immediately after the final battle in Return of the King, Fate is the story of Pippin's recovery from near fatal troll-squashing. Baylor has a talent for capturing the voice and manners of Tolkien's characters, and her comfort is among the gentlest and sweetest I've ever read. For me, her take on the hobbits is definitive, and if I had room, I'd be chucking in I Always Know You (pre-LOTR, Merry caring for a frequently ill Pippin) and The Care and Feeding of Hobbits ("Ruminations on the Little People by Boromir, Man of Gondor").

V. Real Ghostbusters: Highway to Hell, by Kitty Woldow
The story that sets the standard for smarm in RGB fandom, from the woman who invented the term. The noble sacrifice of a friend for the lives of his companions is a well-worn path in traditional media and fanworks, but I haven’t read any story that so unflinchingly examines the way such a sacrifice can shatter its survivors. Of course, our fallen teammate is only mostly dead, and after several clever plot developments and acts of heroism, is reunited with his fellows, but not before a lot of teamwork, daring-do and bonding.

RGB is a small fandom but punches well above its weight in fan fiction, especially if you love H/C, smarm or friendship-focused fic. It is difficult to pick a favorite out of all of the quality stories published over the past twenty years; there are plenty of stories I would love to sneak into my desert island collection, including just about anything written by Brenda (start with Christmas at Columbia). Sheila Paulson has an unbelievably enormous back catalogue of RGB fic with a heavy friendship focus. Her novel Paths of the Dead is my favorite but doesn’t appear to be online (or was lost in the move when AOL shutdown Hometown), but The Night Between the Stars and Buster and the Beast are close seconds.

It is difficult to even select among authors in RGB; the entire fandom is a smorgasbord for friendship-focused fans. Just click over to Sheila’s site and have a blast. Don’t be put off by the fact that the source material is a cartoon; the episodes made for syndication were much more mature and sophisticated than what passes for kids’ shows these days, due in part to its story editor, a young J. Michael Straczynski.

VI. Stargate SG-1: Fate's Reflection, by Yum@
Epic. Stunning. Brilliant. Yum@ uses SG-1’s mirror device to produce a deeply engaging post-apocalyptic vision of the Stargate universe. The best part of this device is that we get to see the ‘mirror’ characters contrasted with their ‘real’ counterparts, a wonderful method of illuminating aspects of those characters, as well as forcing them to face intriguing or painful might-have-beens. Yum@ kills on every metric: an intricate, intriguing plot with fascinating and unpredictable development, a keen grasp on the motivation of her characters, and an incredible depth of emotion, artfully expressed. I couldn’t put it down which, at over 350 pages of very small font, posed a problem for little things like eating, sleeping and keeping my job.

I am fortunate that SG-1 was my introduction to fan fiction; there was so much quality H/C fic and the fandom was populated with especially generous and welcoming folks willing to take a newbie under their wings. My best memories of fandom are from Stargate, so it’s particularly difficult to choose among these stories. I would certainly want to take along as many as I could fit in my grass hut. All of ELG’s novels are excellent; The Quality of Mercy was the first ‘net story I enjoyed so much I had a copy formatted and bound. Scribe’s True Foundations and Jmas’s Walls are also well executed stories that have a particular resonance for me.

VII. Supernatural: Strangers and Angels by Reading
Wet, tired, caked in mud, and still reeling from the events of Faith, Sam and Dean pull into the only roadside motel in the middle of nowhere and find an unexpected respite from a world intent on wearing them down. Not a hurt/comfort story so much as a comfort story, this fic is a sweet cup of hot cocoa enjoyed under a warm fleece in front of a crackling fire. Reading has created a set of realistic, three-dimensional original characters that compliment and illuminate our boys. I would use some creative accounting to include the entire Strangers and Angels AU, which continues in several sequels, in my ten desert island fics.

Supernatural has given friendship fic fans a golden age I haven’t seen the like of since the hayday of Stargate, so it’s extraordinarily difficult to choose among my favorite stories. Gekizetsu’s Month of Open Doors series is one of the first things I read in this fandom; she keeps the tension at a fever pitch and makes perfect use of the ‘supernatural’ elements of this universe to peel back the boys well-constructed defenses. Payment Plan by Minkmix is my favorite third party POV story; her narrator’s callous practicality is more chilling than a thousand moustache-twirling villains. Dodger Winslow consistently blows my mind with her use of perspective, rich characterization, and unique style. All of her Wee!chester is amazing, but I come back to The Constancy of Pain again and again. There’s really too much to choose from—early in the fandom I bound one anthology of favorite stories but there are so many excellent fics I’m switching to full ‘complete works of’ collections.

* Warning: unlike my other recs, this story contains some mild ship and slash; I'm not sure why, but this author was set on making every character in HP bisexual. Still, the romantic pairings are not the main thrust of the story, so I would still consider this gen, and I don't recall sexual content to be explicit.
penfold_x: (wibble)
My thoughts about Yellow Fever, and thoughts about other people's thoughts about Yellow Fever, including Eric Kripke's statement about this episode, which includes a non-specific spoiler for a future episode.
warning: not all rainbows and kittens, unfortunately )
penfold_x: (spnloveoverwhelms)
Best season since the first. Easily. Friday morning is now the hardest part of my week.
penfold_x: (pansy stuff)
Spoilers for 4x01 (but nothing beyond that) under the cut:
Reconciling Previous Kripke Comments )
penfold_x: (yellow haired demon)
According to a new marketing study, Supernatural fans are very emotionally attached to the show:

In this study, the company looks at what it calls the Emotional Attachment Index, which indicates the commitment 18-49ers have to continue watching a show in the future. The higher the index -- 100 is "average," whatever that means -- the stronger the emotional attachment the viewer has going into the new TV season.

...This, according to MEITQSC, just goes to show you that "Supernatural" is a "cost-effective advertising environment." ...

"What these scores are tapping into is not so much the number of viewers that are tuning in, which is what Nielsen is reporting. It's the commitment and loyalty that the viewers have to the show -- an emotional connection, not only in terms of future viewing ... but strength of the emotional commitment of the core audience of the show"...


Supernatural ranks 8th in the survey with a score of 135, and is the only show from the CW on the top 20 list. One hopes Dawn Ostroff is paying attention.

If you click through to the article, be aware that the Washington Post TV columnist Lisa DeMorales hates genre shows and has particular contempt for scifi fans, and her bile is shining through, as per usual.

In other good news, Supernatural's premiere scored a series-high rating of 3.96 million (with delayed markets were factored in), which is a 33% increase over last year's season premiere. Yay, team! Please continue to push the crack on your friends and neighbors!
penfold_x: (amen!)
Spoilers for Supernatural 4x01 under the cut:
Welcome back, Show! *pinches cheeks* )

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